Latin Women in Film - Free Essay Example

Sample details Pages: 9 Words: 2675 Downloads: 2 Date added: 2019/03/19 Category Art Essay Level High school Tags: Film Analysis Essay Did you like this example? Introduction Filmmaking, at its core, is a storytelling medium. Whether it is fiction, non-fiction, linear, non-linear, feature or documentary film, the goal with film is to tell a compelling story of an intriguing subject. That subject is often a person, event, place, or place in time. The amazing thing about the film medium, if executed properly, is that it can tell us a story about someone we think we have known through stories, written works, and history books and make us realize we may have not really known the person at all. What is even more impressive is it can tell us a story of someone we knew absolutely nothing about and make that much more of an impact in our knowledge. This is the case for films that are made about Latin Women throughout history that are either highly known, or barely known by the general population and/or history scholars. Films such as Lucia (1968), Camila (1984), and Frida (2002) are motion pictures that tell the stories of revolutionary Latin Women and Important historical events through women’s perspectives from various regions in Latin America that include Mexico City, Argentina, and Cuba. Don’t waste time! Our writers will create an original "Latin Women in Film" essay for you Create order Some of these stories are well known, or at least are thought to be well known, such as Frida. However, the stories of Camila OGorman and the historical situations analyzed in Lucia are less known throughout popular history, especially in the United States and these film’s goals are to broaden the audience to hear and know these important stories of these revolutionaries. The non-fiction narratives of Camila O’Gorman and Frida Kahlo, along with the realistic fiction narratives of all three Lucias show examples of women who challenged societal norms of all sorts and revolutionized their times because of it. This is shown through the film medium by their respective motion pictures. Lucia (1968) is a motion picture written and directed for the screen by Humberto Solà ¡s. Solà ¡s, a filmmaker from Havana, Cuba, has directing credits for popular Cuban films such as, La Huida (1958), and Cantata de Chile (1975) . Lucia aims to highlight different periods in Cuban History over 6 decades in order to show the gradual change of women in society through the times in the perspective of three different women, all named Lucia, in their respective period in time. The first part of the film depicts who we know as the first Lucia or Lucia I, portrayed by Cuban actress Raquel Revuelta, set in the beginning of La Guerra de Independencia Cubana or the Cuban War of Independence; 1895. This segment of the film shows Lucia, a member of the upper class, who’s mind revolves around the war, specifically the rebel army because her brother is a soldier in that army. She worries for him, of course. Like most women in the late 19th century, Lucy’s mind also revolves around who and when she will marry. Because of her brother, her feelings towards the war and politics are negative. With that said, she meets a man, a married man, named Rafael (Eduardo Moure) who she falls madly in love with, she elopes and begins to build a life with him. Lucia is eventually betrayed for information of her people and the war by the one she loved. Because of this, Lucia’s brother ultimately dies in a raid. This shows just how involved society truly was for the people who lived in the crossfire of Cuba and Spain during the war, even those who didn’t want anything to do with it. The second story, or Lucia II, takes place in 1933 Cuba. Lucia, now portrayed by Eslinda Nuà ±ez, shows a different class as Lucia comes from much more humble beginnings from a family of the middle class. This is a life Lucia is not content with and seeks more. This is when Aldo, a young man after the revival of the revolution, comes into play for Lucia. Seeking a fuller and more exciting life through this movement, Lucia and Aldo find tragedy when Aldo is murdered for his efforts in overthrowing the dictator of that time, Gerardo Machado. This depiction of 1930s Cuba shows the political involvement that can be ignited with the desperation and limitations of the middle class such with Lucia. The third part of Solà ¡s’ Lucia or Lucia III contains the backdrop of Cuba in the 1960s. Contrary to the other Lucias who are searching for love and/or marriage this Lucia, portrayed by Adela Legrà ¡, is newly married to Tomas (Adolfo Llauradà ³). I feel as though this chapter was the most effective in showing the dynamics of women in the revolution. What’s most fascinating about it is that it decides to do it through comedy. Tomas is a man’s man who refuses to let his wife out of the house (out of conservative society’s societal norms for women). T hrough comedic depictions such as Tomas nailing the windows and doors shut for comedic effect, it is seen what the symbolism behind it is comically nudging at a man’s reluctance at the time to be part of a revolution that is already happening. Tomas’ traditional ways show the grasp this character has to the past. When Lucia leaves him and is defended by her fellow females, it’s a clear depiction of power in numbers for what’s happening in the revolution. Traditional v Modern Times. The film ends in a Federico Fellini-esque type of way by simply allowing the argument between the two go on as it fades out. This is very effective to show that the argument would, simply, go on. Though Lucia was a fictional portrayal I felt this film was truly affective in its attempt to depict this evolution for the women in Cuba. I felt it related to the readings from Margaret Randall’s book, â€Å"Haydà ©e Santamarà ­a, Cuban Revolutionary: She Led By Transgression†. Haydà ©e Santamaria’s journey through the Cuban Revolution felt eerily similar to the final two Lucias of the film, with a stronger parallel to Lucia III. Santamaria’s humble beginnings from immigration to a sugar refinery and then to become a revolutionary, high ranked one (for women at the time) at that feels similar to the drive that was sparked in women to want to pursue what they did in Lucia. Of course, Santamaria would have more of an impact on a grander scale, but I think it is important to note that this is what’s beautiful about this film. It is depicting the everyday, common woman. It’s not showing the legacy of someone who made a grand impact but instead showing the drop of water that would make part of the ocean to create the tidal wave for change that was the Cuban Revolution. Camila (1984) is a film written by Marà ­a Luisa Bemberg, Beda Docampo Feijà ³o, Juan Bautista Stagnaro and directed by Marà ­a Luisa Bemberg, respectively . The film targets similar themes to the first part of Humberto Solà ¡s’ Lucia. The story of Camila takes place in Argentina in the late 19th century. The narrative follows a young, high class woman who isn’t happy about her current existence despite her social position, this is Camila O’Gorman. When she meets a Jesuit priest, who also comes from the rich class but decided to create his own identity far from his family, she falls in love. Camila and Ladislao create a wonderful life where their dedication focuses entirely on helping others. Shamefully, they are eventually found and arrested. This film helps viewers understand that the desire for societal change, even in the higher class, resonated, not just in one region or another, but throughout all of Latin America in all kinds of social classes. Women, like Camila, searched for a more fulfilling life. What I enjoy about this portrayal of Camila O’Gorman is that it really highlights that the desire of a fuller life came internally by her, an original thought, and not by something she saw necessarily. The talk of the revolution brought by the war circulated, but it wasn’t her key focus. Her key focus was to challenge what she knew as life in order to create her own happiness. The story of Camila and Ladislao is a legendary story in Argentina, I’d argue that it’s their Romeo and Juliet. What’s fascinating to me is that this story revolves heavily on how Camila broke from her reality at a time that made it impossible considering the backdrop of Argentina at the time. This would include the Dictatorship of Juan Manuel de Rosas, her aristocratic family, as well as the constant societal norm that was to marry two people of wealthy descent almost as a business deal merger. Marà ­a Luisa Bemberg’s Camila is an exceptional example of how telling someone’s story could impact not just the audience it’s intended for but also people who have never heard the story. It is important to note that the film was executed by a Latin American FEMALE Filmmaker, something not so common in Cinema in the 1980s. Camila went on to be nominated for the Academy Award for Best Foreign Language Film in the United States garnering an audience for this narrative in places beyond Argentina. The film is still considered a film classic in Argentina today. â€Å"Frida† (2002) is a film based on the book â€Å"Frida: A Biography of Frida Kahlo† by Hayden Herrera. It was written for the screen by Clany Sigal, Diana Lake, Gregory Nava, and Anna Thomas. The film stars Salma Hayek as Frida Kahlo and Alfred Molina as Diego Rivera and was Directed for the screen by Julie Taymor. Taymor has directing credits that include Titus (1999), The Tempest (2010), and Across the Universe (2007), a musical based on the music and stories of the musical sensation, The Beatles. July Taymor’s Frida tells the story of Mexican artistic, political, and sexual revolutionary, Frida Kahlo. The film is heavy in its depiction of Frida’s apprenticeship and relationship to husband, Diego Rivera, humanizing two of the greatest artists in Mexican history and art history. The film not only draws from Herrera’s Biography of Frida, but also from Diego Rivera’s autobiography, â€Å"My Life, My Art: An Autobiography† in certain instances. Not only does the film focus around Frida’s artistic aspirations, but also targets her political activism and standpoints, her different relationships and affairs, as well as her thoughts and known experiences in sexuality. Frida shows just how Frida Kahlo challenged gender and societal norms. We must remember that this film is depicting a woman as an artist and an individual set in Mexico in the mid-twentieth century, particularly the 1920s-1940s. This was why Kahlo’s life was extraordinary and larger than life. The film does not shy away in showing these things. In one of the earliest scenes in the film, we see a young Frida at her sister’s wedding dressed in a man’s gray-flannel suit. Throughout the film, the audience truly does gain a taste of sexual liberation. The film shows just how sexually driven Frida was in a time where Catholicism thrived in Mexico and prudency was honored, in public society at least. In the film, we see the affairs Frida had, with historical figures such as Diego Rivera, who later came to be her husband, Leon Trotsky, a Russian politician, and mentions of some more. Having relationships with multiple men was something that was, certainly, frowned upon in that area in that era. What is even more striking is that the film also points/nudges to Frida’s sexual experimentation with women, a societal issue that was, also, not accepted as far as bi-sexuality and homosexuality went in those times. This is considered to be revolutionary in the area of sexuality and sexual norms in Mexico. Political elements also need to be discussed when it comes to Frida because she was also considered a political participant/activist, something women were engaging in presently . Frida stood out in the midst of this. Frida challenged social norms in search for artistic, political, and sexual expression. Frida was proudly part of the Mexican Communist Party for quite some time before leaving when the party shunned her husband from the party. When entering the US, they joined the Left Opposition party under Trotsky. Though Stalinists were constantly after Frida and Diego, (and Trotsky), they would fight for the working class through their new party affiliations. Frida’s political involvement was one that women paid attention to in Mexico; she is a renowned example of women revolution and feminism, today. This film received mostly positive reviews with critics being enveloped in the beautiful aesthetic as well as the engaging storyline . The film intentionally was slated for an independent/art-house release to only five theaters in the United States but through its gain in popularity, ended opening to 238 theaters worldwide. The film grossed over fifty million dollars in the box office. The film’s critical and box office success pushed for a bigger audience to be exposed to the life of Frida Kahlo. According to the UCLA’s â€Å"Hollywood Diversity Report†, the Degree of Underrepresentation charts indicate that in 2015-2016 Women Leads in Film are 2 to 1 and Women Directors are 7 to 1. The scarcity of Latin American Stories, Latin American Leads, and Latin American Filmmakers still exists today. So it is important to acknowledge those films that do exist and have made an impact. I feel as though films such as Lucia, Camila, and Frida sparked a conversation in their time are clear examples of telling compelling stories of revolutionary women through the art of cinema so that a larger audience are able to know about them. These depictions may be limited in the time frame that a motion picture is set to, but nevertheless are impactful to those willing to see them. I believe that cinema can definitely be a reflection society in its time, these films are great examples of that for generations to come. Notes Humberto Solà ¡s, dir., â€Å"Lucia,† Havana, 1968. Marà ­a Luisa Bemberg, dir.,†Camila† Argentina, 1984. Julie Taymor, dir., â€Å"Frida† United States/Mexico, 2002. Humberto Solà ¡s, dir., â€Å"Lucia,† Havana, 1968. Stephen M. Hart, A Companion to Latin American Film, Woodbridge, Suffolk, UK; Rochester, NY, USA, 54. New World Encyclopedia Contributors, â€Å"Federico Fellini†, 4 Apr 2017. https://www.newworldencyclopedia.org/p/index.php?title=Federico_Fellinioldid=1004121 (Accessed on 11/14/2018) Marà ­a Luisa Bemberg, dir.,†Camila† Argentina, 1984. Hart, A Companion, 107. Julie Taymor, dir., â€Å"Frida† United States/Mexico, 2002. Jocelyn Olcott, Mary Kay Vaughan, and Gabriela Cano, Sex in Revolution: Gender, Power, and Politics in Modern Mexico, (New York, Duke: 2007) A.O. Scott â€Å"Film Reivew; A Celebrated Artists Biography, on the Verge of Being a Musical.† New York Times 25 Oct. 2002. Darnell Hunt, â€Å"Hollywood Diversity Report† 27 Feb 2018, www.socialsciences.ucla.edu, 2018, socialsciences.ucla.edu/wp-content/uploads/2018/02/UCLA-Hollywood-Diversity-Report-2018-2-27-18.pdf (Accessed 11 Nov 2018) Bibliography Canby, Vincent. â€Å"Screen: CAMILA, STORY OF LOVE IN ARGENTINA.† The New York Times, 15 Mar. 1985, www.nytimes.com/1985/03/15/movies/screen-camila-story-of- love-in-argentina.html. Hart, Stephen M. A Companion to Latin American Film. Woodbridge, Suffolk, UK; Rochester, NY, USA: Boydell and Brewer, 2004. Hunt, Darnell, et al. â€Å"Hollywood Diversity Report.† www.socialsciences.ucla.edu, 2018, socialsciences.ucla.edu/wp-content/uploads/2018/02/UCLA-Hollywood-Diversity-Report-2018- 2-27-18.pdf. New World Encyclopedia contributors, Federico Fellini, New World Encyclopedia, 4 Apr. 2017 ,https://www.newworldencyclopedia.org/p/index.php?title=Federico_Fellinioldid=1004121 Olcott, Jocelyn, Mary K. Vaughan, and Gabriela Cano. Sex in Revolution: Gender, Politics, and Power in Modern Mexico. Durham, NC: Duke University Press, 2007. Randall, Margaret. Haydà ©e Santamarà ­a, Cuban Revolutionary: She Led By Transgression. Roberts-Camps, Traci. Latin American Women Filmmakers. University of New Mexico Press, 2017. Sayre, Nora. â€Å"Screen: Solass Lucia.† The New York Times, The New York Times, 1 Mar. 1974, https://www.nytimes.com/1974/03/01/archives/screen-solass-lucia.html Scott, A. O. â€Å"Film Reivew; A Celebrated Artists Biography, on the Verge of Being a Musical.† The New York Times, The New York Times, 25 Oct. 2002, https://www.nytimes.com/2002/10/25/movies/film-review-a-celebrated-artist-s- biography-on-the-verge-of-being-a-musical.html

What the Futures Holds for Marijuana Essay - 2038 Words

Marijuana, also known as cannabis, is a plant that is consider one of the many illegal sustains. Marijuana is a plant that clams to make people addicted like other drugs like meth, cocaine, and other harmful sustains. Marijuana has been refer as pot, grass, reefer, weed, herb, mary jane, or mj by National Institute on Drug Abuse (NIDA). (34) When mentioning of this plant, it cause sirs among the public about the dangerous use of the plant. The news media portal marijuana as harmful plants that changes people for the worst. For the past years, states has proposal to legalize marijuana for medical purposes. While other states has taken the actions of making the plant completely legal. With the change of the laws changing, marijuana has†¦show more content†¦Throughout the years, marijuana play a major role in parts of the world. It had play a role of healing patients. According to Clare Wilson, a scientist, had support this fact by stating, â€Å"The plant is used in traditi onal medicine all over the world to relieve pain and muscle spasms.† (64) Not only the earliest people know the existent of the plant, but also made use of the plant as well. If the earliest people were comfortable of using marijuana as a medical use, then it shouldn’t be illegal to begin with. The earliest people didn’t have to rely on any medication pills since all they needed was just marijuana to make them feel a lot better. Marijuana became dub as an illegal pant by congress in 1937, called the Marihuana Tax Act, which stop the use of marijuana as a commercial use. (Katel 534) Ever since the act was passed, it was impossible for people to research on cannabis. Over time U.S. citizen had grown more interest in the use of marijuana. Base on the Federal Bureau of Narcotics agent reported in 1965, they have concluded that, â€Å"From what I have read and heard, it would appear that the reported increased and widespread use of marihuana by college students could be attributed in part to the influence of Allen Ginsberg and persons of his ilk.† (Katel 534) Base on those facts, it tell that college students were indeed using marijuana. By 1978, the first state that legalize marijuana for medical use was in New Mexico. The reason for this to happenShow MoreRelatedShould Marijuana Be Allowed For Medical Marijuana? Essay736 Words   |  3 PagesCalifornia was the first state to sign for medical marijuana, ever since then 22 more states have joined. 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The American Dream in the Jungle Free Essays

string(128) " knew as much about the situation as they did, and he knew that the family might literally starve to death† \(Sinclair 120\)\." Many immigrants migrate to America everyday with the hopes to achieve their American dream. For most immigrants the American dream consist of finding a country where effort and morality transcend to success. In â€Å"The Jungle† by Upton Sinclair, a family of hard working optimistic Lithuanians migrate to America with the belief that equality and opportunity dictates that all people should have the same opportunities open to them if they put out efforts. We will write a custom essay sample on The American Dream in the Jungle or any similar topic only for you Order Now They arrive to the US expecting to find a land of opportunity, freedom, and equality, and acceptance. Instead they find a land where only crime, moral corruption and crookedness enables them to succeed. The hopes and dreams of these individuals are destroyed as they encounter a land of moral corruption, crime, exploitation and a life of depression and unhealthy daily labor that brings them physical and mental pain. Sinclair clearly shows that the American Dream is simply an illusion. The title of the book â€Å"The Jungle† creates an atmosphere of predators and prey like survival of the fittest.The predators being the criminals and the prey being the Rudkus family. The title of the book symbolizes how the lower class represented by the Rudkus family is being exploited or attacked by the capitalist society and how the country is turned into a jungle . Sinclair uses similes and metaphors to demonstrate the comparison between animals of the jungle and the people . For example in chapter 15, when Jurgis finds out that Connor â€Å"the great beast† rapes Ona, Jurgis â€Å"eyes were wild and his hair flying, and he was breathing hoarsely like a wounded bull†.Jurgis â€Å"sprang† into a room to find Connor, â€Å"his prey,† and â€Å"sunk his teeth into the man’s cheek, and when they tore him away he was dripping whit blood, and the little ribbons of skin where hanging in his mouth† (Sinclair 162). Such imagery is portrayed through out the novel. Exploitation is foreshowed at the beginning of the story when Jurgis and Ona celebrate their weeding and the guest refuse to leave money to pay for the weeding. Ona is concerned that they wont be able to pay for the expenses and that they will be in serious debt but Jurgis assures her that he will work harder and earn all the money back. Leave it to me, leave it up to me. I will earn more money-I will work harder† (Sinclair 21). This quotation shows how in the beginning of the novel Jurgis is very optimistic, strong, determine, energetic and, devoted to his family and his new country, being unaware of how the system works. Even when the family tries to purchase their new home which is symbolize by what their American dream is, they get exploited by the real state agent. Grandmother Majauszkiene tells them â€Å"You are all alike all the rest, they trick you and eat you alive. They never sell the house without interest.Get your deed, and see†(Sinclair 73). The tone of this quote also expresses the jungle atmosphere when she mentions how they are been tricked and eaten alive. Another individual that serves as an opposing force to the Rudkus family is Phil Connor. He is Ona’s boss at the factory and represents the higher corrupt authority in Chicago. He also rapes and takes advantage of Ona by pushing her into prostitution and makes life harder for Jurgis and his family when he decides to put him in the blacklist, making it absurd for Jurgis to get a new job.He is clearly an example of someone who abuses his power over others for his own personal profit It is an argument that its up to everyone to do whatever is in their power to be happy. By exploiting the Rudkus family the real estate agent was happy because his American dream is to sell and make as much profit as possible. But up to what extend is it fair to achieve one’s American Dream? It is not fair to exploit other individuals in order to achieve ones goals and dreams. These people are coming to America unknowingly of how the system works blind to the ways of capitalism.For example, in chapter 3 Jurgis is portrayed as a naive individual that is not familiar on how the lab or system works, he is overwhelmed with his new job that he doesn’t understand Jokubus’ cynicism when he cynically points out the signs posted that demand cleanliness, â€Å"That was why to Jurgis it seemed almost profanity to speak about the place as did Jokubas, skeptically†. Jurgis was grateful to have a job and that’s all he knew at the time â€Å"to be given a place in it and a share in its wonderful activities was a blessing to be grateful for, as one was grateful for the sunshine and the rain† (Sinclair 43).Is not until later on when he starts to understand more and more about the bitterness he sees in his co-workers. Another form of exploitation that doesn’t allow Jurgis and his family to achieve their American dream is the long hours of labor they must work in order to maintain the family alive. These unhealthy long hours of labor that they must work brings the family physical and mental pain. When Jurgis starts to work in the meat packing plant he is exited and happy to have a job, soon after he discovers that he is engaged in unfair labor activities as well as unsafe food handling.In chapter 11 Jurgis suffers from a terrible accident at work. The company doctor tells him that he’ll be laid up for months with a severe ankle and foot injury. The accident poses a terrible problem for the family. Without Jurgis’ wages, they might starve. â€Å"It was dreadful that an accident of this sort, that no man can help, should have meant such suffering. The bitterness of it was the daily food and drink of Jurgis. It was of no use to them to try to deceive him, he knew as much about the situation as they did, and he knew that the family might literally starve to death† (Sinclair 120). You read "The American Dream in the Jungle" in category "Papers"Soon after Ona becomes terribly ill with a cough similar to the one that killed Dede Antana, she also becomes pregnant and not long after dies when giving birth. â€Å"They were beaten; they had lost the game, they were swept aside. It was not less tragic because it was so sordid, because that it had to do with wages and grocery bills and rents. They had dreamed of freedom; of a chance to look about them and learn something; to be decent and clean, to see their child group up to be strong. And now it was all gone-it would never be! (Sinclair 163) Jurgis and his family have failed in the attempt to pursue the American dream because the wage slavery and unfair labor practices shatters every aspect of their lives. Not only does the unhealthy labor causes the family physical pain but also mental pain. For example Stanislovas, one of Elzbieta’s children witnesses a little boy with severe frostbite to his ears that fall off when a man rubs them strongly to try to save them. After that, Stanislovas develops a phobia of the cold winter and throws a fit before work each day.He doesn’t want to go out in the cold with the fear that his ears are going to fall off. Also seeing how the food is processed becomes a sort of trauma for the characters. Sinclair uses symbolism to show how the torture of the pigs and the meat is symbolic of the middle class. Workers get chewed up just like the meat. It is an argument that if one is working in a slaughterhouse one must have to be strong minded and expect to work with blood, and other bodily fluids that can cause effect.The problem with this argument is that at the cost of a whole factory staff only a few get to be happy, while those workers down on the killing floors are being hurt on a daily basis and get little to no pay. Ironically labor is suppose to be part of the American dream, immigrants travel to the country to find jobs to prosper and make money but in this case the hard long hours of work only corporate towards their family destruction. As the novel progresses the role of family diminishes as the characters become increasingly abuse and battered. For example in chapter 13 Kristoforas, one of Elzbieta’s children dies, Jurgis is more relief than sad because that only mean that there is one less mouth to feed. The only thing that concerns Jurgis is the expenses for the funeral since they have no money. â€Å"Kristoforas had howled his last howl. No one was really sorry about this except poor Elzbieta, who was inconsolable. Jurgis announced that so far as he was concerned the child would have to be buried by the city, since they had no money for a funeral† (Sinclair 134).At this point in the novel the main focus is survival and the desperate need for nourishment takes priority over compassion and love, as evidenced by Jurgis’s beating Stanislovas when he doesn’t want to go to work. The unity of the family is destroyed by the poverty, a result of capitalist economics and it doesn’t allow them to give affection to one another. In chapter 10 it is evident that Ona and Jurgis don’t have time for their newborn baby, â€Å"Jurgis had to go to sleep himself. Then in the morning there was no time to look at him, so really the only chance the father had was Sundays.This was more cruel yet for Ona, who ought to have stayed home and nursed the him, the doctors said for her own heath as well as the baby’s, but Ona had to go to work and leave him† (Sinclair 114) Jurgis and Ona aren’t able to enjoy each other anymore, whenever they talk it is merely about their concerns and worries. â€Å"Talked they had only their worries to talk of- truly it was hard, in such a life, to keep any sentiment alive† (Sinclair 129). Ona doesn’t feel love anymore by Jurgis, she is concerned that the misery is wearing out their love. She wondered if he cared for her as much as ever, if all this misery was not wearing out his love†(Sinclair 130). Sinclair shows how this family has been destro yed by the corruption and greed of others, the tone is very depressing and tragic. In this point of the novel the characters have been consumed from head to toe by the oppression of their job, they don’t even have energy to show emotions such as love, hate, or sadness. Jurgis is clearly a robot to the society that engages in a routine from home to work and back to home just to sleep.Jurgis and his family have become dehumanized and become more zombie like as they are described with intense imagery â€Å"Jurgis cant not stay angry. The poor fellow looked like a homeless ghost, whit his cheeks sunken in and his long black hair straggling into his eyes; he was too discourage to cut it, or think about his appearance. His muscles were wasting away, and what where left where soft and flabby. He had no appetite and they couldn’t not afford to tempt in whit any delicacies.It was better, he said, that he shouldn’t not eat, it was saving. † (Sinclair 127) Some people argue that if Jurgis and Ona never had a baby, the money being used for that baby could have been used for other purposes like food or toward their home. having children while having no money is bad. But being happy with the little bit of money they had, Ona and Jurgis didn’t think it would be much of a problems In chapter 10 before Ona gets pregnant, the family has enough money to survive and even has money left to pay little by little his debts. During the early part of winter the family had had money enough to live and little over to pay their debts† (Sinclair 105). But Jurgis then gets injured and has no work. When he has no work there is no money flowing into the home, this causes despair and urgency. It was also part of their American dream, to have kids watch them grow and give them an education. â€Å"They were beaten; they had lost the game, they were swept aside. It was not less tragic because it was so sordid, because it had to do with wages and grocery bills and rents.They had dreamed of freedom; of a chance to look about them and learn something; to be decent and clean, to see their child grow up to be strong. And now it was all gone–it would never be! They had played the game and they had lost. † (Sinclair 144). This quote shows how Jurgis’s life has been destroyed by the unjust social system that didn’t allow him to achieve his American dream. The American dream is cWork Cited Page Upton Sinclair. The Jungle New York: Bantam Classic edition, 1906 How to cite The American Dream in the Jungle, Papers

George Orwell Essay Research Paper As a free essay sample

George Orwell Essay, Research Paper As a journalist and author of autobiographical narrations, George Orwell was outstanding. But he will be remembered chiefly for two plants of fiction that have become 20th-century classics: # 8216 ; Animal Farm # 8217 ; , published in 1944, and # 8216 ; Nineteen Eighty-four # 8217 ; ( 1949 ) . George Orwell is a pen name. His existent name was Eric Arthur Blair, and he was born in 1903 at Montihari in Bengal, India, where his male parent was a minor British functionary. His household had societal position but small money, a fact that influenced Orwell # 8217 ; s later attitude toward the English category system and the imperium # 8217 ; s intervention of its capable peoples. In about 1911 the household returned to England. Blair was sent to school in Sussex, where he was distinguished both by his poorness and his intelligence. He subsequently wrote of his suffering school old ages in # 8216 ; Such, Such Were the Joys # 8217 ; ( 1953 ) . He attended Eton in the old ages 1917 to 1921 but decided against traveling on to a university. We will write a custom essay sample on George Orwell Essay Research Paper As a or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Alternatively he went to Burma ( now Myanmar ) as a member of the British imperial constabulary. His ain poorness, plus his turning antipathy to Britain’s imperial policies, led him to vacate from the authorities in 1928. He so spent several old ages among the hapless and castaway of Europe and among the unemployed mineworkers in the North of England. These experiences were recounted in ‘Down and Out in Paris and London’ ( 1933 ) and ‘The Road to Wigan Pier’ ( 1937 ) . Then Orwell went to Spain to describe on the Spanish Civil War. His experiences in Spain were described in ‘Homage to Catalonia’ ( 1938 ) , one of his best books. During World War II Orwell wrote for the British Broadcasting Company and worked as a literary editor for the London Tribune. The success of # 8216 ; Animal Farm # 8217 ; in 1944 allowed him to give himself to composing. He bought a house on the island of Jura, where he wrote # 8216 ; Nineteen Eighty-four # 8217 ; . By the clip it was published, Orwell was already badly from the TB from which he died on Jan. 21, 1950, in London. # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; # 8212 ; Excerpted from Compton # 8217 ; s Interactive Encyclopedia Copyright 1994, 1995, 1996, 1997 The Learning Company, Inc. All Rights Reserved.